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In 1925, Gropius
commissioned Bayer to design a typeface for all Bauhaus communiqués and Bayer excitedly
undertook this task. He took advantage of his views of modern typography to create
an "idealist typeface." The result was "universal" - a rather
simple geometric sans-serif font. It utilized simple curves and has other unadorned
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| This sample of Bayer's universal typeface
was set in Bayer Press, an in-house font developed by Victory Type based on Bayer's narrow
face bold version of universal, designed in 1925. Presently, a geometrically perfect
and historically accurate remake of universal is in development by Noah Rothschild.
More on this as it happens |
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